bagre.blogg.se - Davinci resolve superscale watermark

The only tricky part of exporting an alpha is remembering to selecting Individual clips, as the Single clip option can’t output an alpha channel. Rendering with Alpha from the Delivery Page The luma keyer makes the background transparent, and the black is now a checkerboard. With the Transform node selected, press Shift + Spacebar and type Luma to bring up luma keyer, and click Add.With the Transform node selected, increase the Size in the Inspector until the black fills the frame.Select the Dust (MediaIn1) and click on Transform in the toolbar to insert the Transform node between the Dust and the Output.Rename the node’s Dust and Output by using the shortcut F2, or right-click and select Rename.

MediaIn is the dust footage and MediaOut1 is the output.

With the dust clip selected in the timeline, click on the Fusion page a the bottom of the interface.

We are going to scale up the footage and remove the black with a luma key. Each thing we want to do goes on its on a node. In Fusion, we will be working with Nodes, instead of layers like in Premiere Pro or After Effects. Again, we’ll want to remove the black, so this clip can be exported or imported back in Resolve as a stand-alone clip with an alpha. This clip doesn’t have an alpha, the dust is mainly gray (semi-transparent) and white (opaque). We find that Fusion generally gives you better results quickly, as it is a motion graphics and compositing app inside of Resolve.įor this example, we’ll be using this free dust clip. This time we will use Fusion and a luma key. But in this example, we are just looking at workflow. Generally, you would want to finesse the key, and the higher quality footage (10 bit vs 8 bit), the easier it is to get a clean key.

Click the Highlight icon on and off to see your selection.

Click on the eyedropper, and drag across a range of fire to select as much as possible.

Select LUM from the pulldown to key just the brightness information.Click on the eyedropper (qualifier) to go into the Qualifier section. We need to create transparency (drop out the black) by using a Luma Key.Drag from the blue (alpha) output of the Node to the alpha output.Right-click in the gray area of the Nodes, and click Add Alpha Output.With the Fire clip on the timeline, click on the Color page at the bottom of the interface.As a note: white is opaque, gray is semi-transparent, black is transparent. What we select is kept (the fire), and the black becomes transparent. We want to remove the black, so this clip can be exported and then placed on top of other footage in another app or Resolve. This clip doesn’t have an alpha and shows fire on a black background. In this example, we’ll be using the free fire clip. Rendering with Alpha from the Delivery Pageģ Ways Create Transparent Backgrounds 1.